March 9th, 2006, 03:34 PM
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#1 (permalink)
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Elite Member
Join Date: Oct 2005
Location: Lost Angeles
Posts: 34,493
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Black.White. on f/x
saw it last nite; Interesting show, but a little predictable, we'll see what happens in the next 5 installments. I think it's a little ridiculous or possibly faked b/c I can totally tell that those people are in make-up and the wigs are obvious too, well most of them, and if I saw them in person it'd be twice as bad b/c you don't see details on t.v. so I'm wondering if some of it is staged, like when they "interact" w/ strangers.
Quote:
Families Swap Races on 'Black.White.'
On the new FX reality series, two families switch races via Hollywood makeup wizardry
By Lynn Elber
Associated Press
When writer John Howard Griffin turned his skin from white to dark and traveled the South in 1959 for a firsthand look at the depths of racism, he relied on a simple medical treatment and his wits.
In the 21st century, such a journey requires Hollywood makeup wizardry, the well-honed conventions of both reality TV and documentary filmmaking, and two families, one black, one white, acting as undercover race detectives in Southern California.
As superficially different as FX's "Black.White." and Griffin's landmark book "Black Like Me" appear to be, they are brothers under the skin.
"Black.White." proceeds with open-minded seriousness as it leads viewers to a conclusion both obvious and powerful: race counts, for better and worse. Expressions of racism and racial identity change, but that bedrock truth remains.
"I didn't realize, more than anything, how hard it was going to be for whites and blacks to see the world through each other's eyes," said executive producer R.J. Cutler. "I didn't realize how genuinely different an experience it is to be a white American and a black American."
Cutler insisted the six-episode show, which began March 8 on FX, doesn't "aspire in any way to say definitive things about race." But the participants and their actions do.
In a Los Angeles-area house, "Black.White." brings together Bruno Marcotulli, 47, his wife, Carmen Wurgel, 48, and her daughter Rose Bloomfield, 18, a white family from Santa Monica, and Brian Sparks, 41, wife Renee, 38, and their son, Nick, 17, a black Atlanta family.
Through artful makeup they swap races, if not perspectives.
"You see what you want to see," Marcotulli says at one point to Brian Sparks, dismissing Sparks' experiences with prejudice.
"And you don't see what you don't want to see," a frustrated Sparks replies.
Cutler, whose documentary films and TV series include the acclaimed "The War Room" and "American High," was joined by Ice Cube, the rapper, actor and producer, on the project proposed by FX Networks President John Landgraf.
"Don't believe the hype, everything in the world ain't black and white.
Everybody ain't a stereotype. Just because I look wrong I'm about to do right," Cube sings in the title song, which also includes his sharp rejection of an oft-cited phrase: "Did you get your race card? Yo, what the hell is a race card?"
His hope for the project was to "expose the subtleties of racism, the layers of racism," the musician told The Associated Press. "Everybody thinks of a Klan man standing with a shotgun, yelling, 'Keep it white.'
"Everybody is worried about the guy with the black power, leather jacket on, Afro ... worried about those kind of people and not really knowing that racism is not just the obvious," Cube said.
The series' timing is notable, with race brought into renewed focus by Hurricane Katrina and the disproportionate suffering it caused for blacks in New Orleans. But "Black.White." was conceived before the hurricane, Landgraf said.
He brought the idea of having two families trade races to Cutler, stressing that he wasn't looking for cheap conflict.
"I said, 'This is not cheesy, this is not about putting a white bigot ... in with black people and watching them beat the crap out of each other and watching sparks fly," Landgraf recalled. "And it certainly wasn't about some kind of makeup-driven freak show."
The families in "Black.White." are middle-class, the adults all college-educated. They received a modest fee for their participation, an FX spokesman said.
With special-effects makeup by Keith Vanderlaan and Brian Sipe that artfully used wigs, airbrushed skin paint and other elements, the families were transformed to a new ethnicity that could pass muster in varied settings.
Teenager Rose joined a poetry group with young blacks; Brian Sparks became a bartender at a place drawing white customers. The families also, in the best tradition of reality TV, shared a house in 2005 for the six weeks of production.
Cutler "wanted the families to live together, because a lot of discussion would be generated in each family coaching the other family on what it is to be white or to be black, and to pass or behave or act as white or black," Landgraf said.
Wurgel makes what she considers a black fashion statement, buying a dashiki for church, while Renee Sparks looks askance.
The housemates have revealing, sometimes heated clashes over their attitudes on race and the use of volatile epithets. One confrontation pits the black father, adamantly opposed to the "n-word," against his unconcerned teenage son.
For his part, Marcotulli consistently clings to his belief that any individual can erase bias by dint of sheer will and optimism.
Outside the house, attitudes are mostly, but not always, subtly expressed. In black makeup, Rose gets the brushoff when she applies for work at stores in a white area. One shopkeeper glances in a drawer and unconvincingly announces she's out of job applications.
Sitting in as a white woman on a focus group discussion on race, Renee Sparks is shocked to hear a young college student relate how he was cautioned to wash off the handshake of a black person.
"I thought, here it is, 2005, and people are still teaching their kids this," Sparks said in a recent interview with reporters.
Larry E. Davis, director of the University of Pittsburgh's Center on Race and Social Problems, lauds the series' concept. "Black Like Me" was a powerful work in its day; projects like "Black.White." have potential value for now, he said.
"It will bring (issues of race) into a context and a time frame and a reality that a new generation can comprehend, can relate to and understand," Davis said. The goal is to "keep hammering away, hammering way, hammering away at the problem."
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Copyright 2006 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
__________________
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March 9th, 2006, 10:40 PM
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#2 (permalink)
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Do fish have boogers?
Join Date: Oct 2005
Location: Venus
Posts: 1,000,002,104
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Re: Black.White. on f/x
It was kind of funny seeing a bigoted white woman going "For the time in my life I felt like I wasn't wanted, it was soooooooo hard" and then start crying.
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March 10th, 2006, 04:29 PM
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#3 (permalink)
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Bronze Member
Join Date: Oct 2005
Posts: 15
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Re: Black.White. on f/x
This whole show looks like it will backfire. It seems like they want to show us how racism is still very prevalent, when all they are showing is that the black family is going out of their way to look for racism. A couple of times it seemed as if the black father was seeing things that didn't exist, because he wants it to be there. Maybe white people aren't the only racist "race".
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March 10th, 2006, 04:59 PM
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#4 (permalink)
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Hit By Ban Bus!
Join Date: Oct 2005
Location: Now with ADD added goodness!
Posts: 6,601
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Re: Black.White. on f/x
I liked the black family as white. So they were looking for racism, so they didn't quite look natural, they were still an interesting hoot.
Now the white family? Dear gawd where did they dig this bunch of candy assed givin'-liberals-a-bad-name idiots? They don't look black in the makeup and they seem to have the collective common sense of a gnat! I turned it off about half way through because I couldn't deal with the white father repeatedly gleefully saying the "N" word. I wanted to hurt him.
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March 20th, 2006, 02:45 PM
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#5 (permalink)
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Elite Member
Join Date: Oct 2005
Posts: 6,242
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Re: Black.White. on f/x
I'm not sure where I read it... probably ONTD... but someone pointed out that at least one of the people on that show, the teacher guy, is not a teacher and is actually an actor, complete with an imdb listing. And... one of the couples isn't really married. So it's pretty much fake.
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March 21st, 2006, 12:44 PM
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#6 (permalink)
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Silver Member
Join Date: Jan 2006
Posts: 445
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Re: Black.White. on f/x
It's like government studys. Spending money to tell people something they already know. No man/woman can see the world through anothers eyes. Period.
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March 21st, 2006, 04:31 PM
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#7 (permalink)
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Gold Member
Join Date: Oct 2005
Location: in the city
Posts: 976
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Re: Black.White. on f/x
They seriously found the most ignorant people they possibly could. Seriously, the white people are so STUPID, and the whole thing with the dashikis? I mean, have they ever seen anyone actually WEAR one of those things?
And the black people on the show are just those types that think EVERYTHING is racist. I mean, the white dad is a moron, but I actually agreed with him when he was talking about that guy LOOKING for racism. And that black woman just over reacts about everything..."oh she called me a bitch, but it must be because she really wanted to call me a bitch"
basically I hate everyone on that show.
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